I was recently asked, “How much editing should a writer do themselves?” It’s always hard to answer any question with a “should” in it, because the answer is different for everyone. We also need to know what the goal is? To send the work to an agent? Or to self-publish?
I’ll describe what I do when writing novels.
- I write my first draft. For each book I’ve written (I’m wrapping up my third), my first draft has become much better.
- Then I make a first editing pass on screen. I’m looking for a bunch of different things, including:
- obvious typos and grammer mistakes
- places where I did too much telling and not enough showing (one of my chronic issues)
- obvious continuity errors: I changed a characters name, or their occupation, or where some characters were, etc.
- Individual chapters are shared with my critique group after my first pass. On average, my critique group sees about a third of my chapters for any given book. I fix any issues the critique group identifies, which can be about clarity, character motivation, excessive exposition, etc.
- Then I print the whole thing out, marking up the pages with corrections to small errors and identifying bigger issues to address. The things I tend to notice on the printed page:
- More typos and grammer errors
- Repeated use of words
- Continuity errors.
- Flow of the story.
- Then I let it sit for at least a month, and work on other writing.
- Then I reread the whole thing again, primarily focusing on bigger story issues and more places where I need to show instead of tell. I’m also addressing plot issues here, character motivation and development, etc.
- Somewhere around here, I pass it around to my beta readers. They are a half a dozen people who read it and give me feedback. I correct issues they identify. These are different than my first readers: I have two or three people I give it to very early on, just for encouragement. They do give me some feedback, which I welcome, but I’m not dependent on. By the way, unless your mom has some special credentials as a writer or teacher, consider your mother a first reader, not a critical reader. Of course she’s going to say it’s great. 🙂
- At this point, I’m comfortable sending it off to agents/publishers.
- If it’s not accepted by anyone, and I’m going to self-publish, then I keep going:
- I then send it to a copy editor, and correct issues they identify. I don’t have the budget for a professional copy editor, so I pay a friend who is a creative writing major with about six years of solid writing experience.
- Lastly I give it to a proofreader. Again, I don’t have the budget for a professional, so I pay a different friend, someone who is extremely detail oriented and focused with a good command of English.
I count seven editing passes:
- first editing pass on screen
- critique group feedback
- printed editing pass
- second printed editing pass after a month away
- beta reader feedback
- copy editor pass
- proofreader pass
That being said, it varies greatly on how polished the first draft is. My first novel went through ten editing passes before it even got to a critique group in step 2. A new writer may well have a dozen or more editing passes.
Great post! As an editor and proofreader, I applaud your employing both. Too many authors don’t edit enough and/or don’t trust someone to edit their stuff. As a reader, I appreciate you going to so much effort to put out the best story possible. Also, you kick ass at AI action sequences. 🙂
Great information AND article.
Fantastic blog and one which makes a lot of sense. It’s good to know that other writers as well as myself go through this editing process. I often find it so much harder than the actual writing!
http://lkwattsconfessions.blogspot.com
This is always one of my conundrum’s. As I rewrite do I edit as well. I can see your process makes more sense, great blog post,thanks.
http://welshjensblog.blogspot.com
Thank you. This is very helpful information and I can truthfully say, my first novel went through these processes.
Ciao,
Patricia